Reflecting on new life after this sad year. Gardening is one of my go-to happy-making activities.
36’x48″ Silk on linen, cotton and metallic floss and thread
Explanation of my spelling of “Premenpausal”: I was thinking about an archetypal female experience. Menopause is an opportunity to “pause” as we rethink what it means to be female, and how we, without the very insistent push from hormones, relate physically to the “men” we love.
“The Colors of the 12 String Guitar”
I have four pieces in this show which will be open until February 22, 2020 at the Lake Placid Center for the Arts, 17 Algonquin Drive, Lake Placid, NY 12946.
” 30″x30″ silk on linen with metallic and hemp floss, and cotton and metallic thread.
Silk on silk with metallic and hemp thread and floss & glass beads. 30”x30”
This piece was created specifically for the “New Domestics: East Coast/West Coast” exhibition at the J. Robert & Barbara A. Hillier College of Architecture and Design Gallery at NJIT in Newark, NJ, October7- November 17, 2019.
For the forty years Mark and I have shared a life, we have always been gardeners. Over time our “roles” developed with our interests. Thus he is a master pruner and periodically I sort of just throw a variety of seeds into the ground, or pick and plant perennials. His work is always neat, precise and praise worthy, mine is, shall we say, interesting. A note about our past: when I met Mark he had 500, yes, 500 succulents or cacti in his apartment bedroom. As someone who was pursuing a degree in Land Use Planning, I found this was a hugely attractive hobby. And I still care for about 10 of these plants that have managed to make the 40 year journey with us.
“Music in Curved Entrances” is inspired by the music of minimalist composer Terry Riley from the 1970’s films, “Les Yeux Fermés & Lifespan”. My work is hand-sewn and embroidered fabric art, made in silk and linen with elements of shiny metallic floss and thread. The tactility, structure, and sheen of the fabric and thread form an integral part of how I “see” and engage with Riley’s looping phrases that tumble over each other. The touch of rough and smooth textures, the brightness of silks, the matte finish of linens, and the sparkle of metallic threads all reflect my synesthesia while satisfying my other senses as I work.
My hope is that this work allows the viewer to share the energy and joy I experience as I listen to music.