Aluminum sculpture 10″x21″ November 2017
This is my second effort to capture the patterns I hear in the music by the German Tanz-Metall band Rammstein from the 1997 album Sehnsucht. The song is one of the band’s best known because of its inclusion on the soundtrack of The Matrix . My first effort in Fabric was created in March of 2014.
Raw silk, metallic thread and chenille yarn 14″x34″
“Birdland – Maynard Ferguson” For the first horn player I ever had a crush on. Those high sweet tones set my 13-year-old heart on fire, and at 72 years of age still does!!!!!
Silk, cotton and linen with cotton and metallic thread and floss 31″x21.5″
This song is a bubble-dub song, bumpy with colored percussion, and simple circular and angular patterns. Feels like the party detritus strewn in my brain the day after a very joyful lively gathering. Completed June 1, 2017
Remembering my friends Adam Lee and Jason Mejia
“There you go, swimming deeper into Mystery. Here I remain only seeing where you used to be…….Gone from Mystery into Mystery. Gone from daylight into night. Another step deeper into darkness, closer to the light.” Bruce Cockburn
Silk, Cotton, poly ribbon, metallic and cotton thread and floss 24″x36
20″x24″ Linen and cotton on linen, cotton and metallic thread and floss.
I always liked the music in video games better than the games. The sounds are discrete and usually very bouncy. This is a gestalt of many musical experiences with chiptunes.
Silk on linen, metallic thread and floss. 26″x34″.
Using my synesthesia, my hearing to seeing and making art, I created this hand sewn surface design based on live electronics and bass drum. “The Deformation of Figures” was composed by Seth Cluett and performed by percussionist Tim Feeney. This “lowercase” music is an extreme form of ambient music, subtle and rich. The electronics/sine tones, are in color, and the percussion is in black for this one hour performance. I make sketches while listening at a live concert, and re listen to recordings until I am happy with my capture of the “bones” of the music.
Mon oeil l’écoute
Last Saturday I attended a Tristan Perich concert at “The Kitchen” in NYC. His repetitive synth timbres and rhythmic interruptions informed the image I created after viewing the NYC skyline under a bright moon on the way home to NJ. The skyscrapers were surely vying for the sky space.