Silk and linen over silk, cotton cord , metallic and chenille floss and thread
One afternoon while cleaning my studio and listening to lots of Queen, this image fell out of my pen. This really describes how I feel pretty much most of the time.
“Don’t Stop Me Now”
“Tonight I’m gonna have myself a real good time
I feel alive and the world it’s turning inside out Yeah!
I’m floating around in ecstasy
So don’t stop me now don’t stop me
‘Cause I’m having a good time having a good time
12″x12″ Silk on linen with hemp, cotton metallic thread and floss
This was created specifically to sell at the Museum Shop of the Montclair Art Museum to go with my piece on display in their New Directions in Fiber Art Show. And thankfully it sold within five minutes of the shop opening on the first night of the exhibition.
Silk and cotton on linen with hemp, cotton and metallic thread and floss
This was created after a marathon listen to some of my favorite 12 string guitar players, particularly Leo Kottke. I hope this image conveys the richly layered twangy/tingly funky sound colors I see/hear as a synesthete when I listen to a 12 String.
“The Mind of a 12 String Guitarist”
8 ½”x 11”
Silk and linen on silk with cotton and metallic thread and floss
After finishing the 12 string Guitar sewy, I knew I needed this as part of the presentation- kind of a modern Diptych.
Silk on linen with hemp and cotton thread and floss
The melody moves back and forth. Read left to right following the round-like repetition of the thin strings that zig-zag between black standards to “follow the path”.
International pianist and synesthete, Dr. Svetlana Rudenko, used my art, “And, But and Not”, as a basis and inspiration for her musical composition, and then as part of her research resulting in a paper she delivered last week at Trinity College Dublin Ireland.
Living in the northeast US, I get to truly love autumn! I love the smells, the colors, the cool temperatures and the winds that blow over the hill we live on. I especially the love the sounds of leaves crunching under foot. This piece is based on that sound.
Regarding the black circles, my synesthesia inspired art is always a dance between my mental visual images of sound, and my interior self-talk emotional, or cognitive understanding of what I am experiencing. Perhaps it is because I am a Gemini that I hold these two tensions, or maybe all syns do this. When I make art, I don’t worry that it is a “photo” of exactly what I “see”/hear, but it is usually some variation of the remembered pattern of what that sound looks like. I just take the trip, create and not worry about the outcome. As I reflect, I suspect the black circles reference the cyclical seasons, the oncoming apparent death of flowering plants and trees, and the unknowable “Mystery” of death.
Archival inks, Canson Aquarelle Rag paper 8″x10″