Silk on silk with linen and metallic floss and cotton and metallic thread 24″x30″
I thought I was drawing olives until I realized this is what I sort of look like after surgery. At the time, 1992, I was only given a 5% chance to be alive in a year. Guess Doctors don’t know everything.
Silk on silk with metallic, linen and cotton floss and metallic and cotton thread. 30″x30″
The great composer and musician and all round creative Pauline Oliveros taught me more than words can express. When I “came out” as an Artist in 2014, she not only always “liked” my work as I was tentatively beginning to show it on Facebook, but copied most of it to her FB page to share with others. Her “Deep Listening” process gave me a way to focus on the sounds that so importantly influence my art making. I was so very lucky to have had this woman as friend.
This piece was created after spending an hour out of doors when the world was noisy with some birds still calling at dusk- the wood thrush was strident, and the insects, traffic, airplanes, neighbors kids talking and laughing, the chatter of walkers on my street, and the wind in the trees added to the general shape of the sounds I noted as inspiration.
The Magnet 30″x30″ Silk with metallic, cotton and linen thread and floss
As an anniversary gift for my beloved husband Mark, this was made to represent our almost neodymium magnetic response of our hearts and minds when first we met 38 years ago. And the powerful attraction is still there. We always say we are still on our honeymoon, because we are!
“Throb and Swagger- The Sounds of Newark” #10 10.5″x16.5″ Canson Arches Aquarelle Rag Paper, Enhanced Giclée Archival Print Edition 1/1 Printed for the Newark Public Library
This work is about the vitality, creativity and resilience of Newark New Jersey. My print captures the dynamic energy of the city.
In the spring of 2016, I was invited by Matthew Gosser, (curator and teacher at NJIT’s College of Architecture and Design, involved with the historic preservation of many of Newark’s landmark buildings,) to create art based on my personal experience with the Queen of Angels, a historic church on Belmont Avenue, now Irving Turner Blvd.
I spent a couple hours exploring what was a nearly completely demolished church, with most of my time seated and listening to the ambient sounds of the community. I took notes and made sketches from overheard conversations of passersby, and the ambient sounds from traffic, airplanes and nature. These sounds deeply influenced my emotional response and drawing, and was the basis for this work of art
8.5″x11″ Hahnemuhle Fine Art Museum Etching Paper, Archival Inks Giclee
As one who has had polio, and as I have aged, my gate has become bumpy with many pauses. Thus I find myself looking at the small units of the world around me. This is actually pretty cool as I focus on interesting details that I surely missed in the days when I could speed walk.
24.75″x 21.5″ Silk and Linen, metallic thread and floss
My narrative that the Presidency is a position of serious responsibility for the good of the entire nation, where ego is tempered by the understanding that the role requires thoughtful responses, that words matter and that personal financial aggrandizement is absolutely not ok, has been exploded. I trust in the rule of law and my fellow citizens to restore my faith in this position.
8.5″x11 Canson Aquarelle Rag, archival inks
I meditate on my own future, these minutes, hours and hopefully years before death, and I try to see what I might yet create. “The future”, as we have often said in my family, “is open”. Unshaped and as yet, unimagined.
