Silk and linen over silk, cotton cord , metallic and chenille floss and thread
One afternoon while cleaning my studio and listening to lots of Queen, this image fell out of my pen. This really describes how I feel pretty much most of the time.
“Don’t Stop Me Now”
“Tonight I’m gonna have myself a real good time
I feel alive and the world it’s turning inside out Yeah!
I’m floating around in ecstasy
So don’t stop me now don’t stop me
‘Cause I’m having a good time having a good time
“Music in Curved Entrances” is inspired by the music of minimalist composer Terry Riley from the 1970’s films, “Les Yeux Fermés & Lifespan”. My work is hand-sewn and embroidered fabric art, made in silk and linen with elements of shiny metallic floss and thread. The tactility, structure, and sheen of the fabric and thread form an integral part of how I “see” and engage with Riley’s looping phrases that tumble over each other. The touch of rough and smooth textures, the brightness of silks, the matte finish of linens, and the sparkle of metallic threads all reflect my synesthesia while satisfying my other senses as I work.
My hope is that this work allows the viewer to share the energy and joy I experience as I listen to music.
“Ameriques by Edgard Varese” 34″x40″ sewy based on the work of this French/American composer. His piece “Deserts” was the first avant-garde piece of music I ever fell in love with at age 20 and it changed the trajectory of my musical listening life. “Ameriques” is my synesthetic hand sewn response in silk over linen, with metallic and hemp floss and metallic and cotton thread.
If you want to listen, here it is. https://www.youtube.com/watch?v=Nq8SKwi-ycE — in Mountain Lakes, New Jersey.
Silk on silk with linen and metallic floss and cotton and metallic thread 24″x30″
I thought I was drawing olives until I realized this is what I sort of look like after surgery. At the time, 1992, I was only given a 5% chance to be alive in a year. Guess Doctors don’t know everything.