Silk, cotton and linen with cotton and metallic thread and floss 31″x21.5″
This song is a bubble-dub song, bumpy with colored percussion, and simple circular and angular patterns. Feels like the party detritus strewn in my brain the day after a very joyful lively gathering. Completed June 1, 2017
I rarely visit at the many Shopping Malls in Northern New Jersey where I live. The enormous density of humans I encounter, and the predictability of what is available for sale does not appeal to me. I do however, as necessary, take advantage of the value of household and kitchen goods sold at the large box store, Costco. This past weekend I visited the largest of these box stores in the region. The drawing here poetically represents hundreds, or perhaps thousands, of humans I encountered. As a Synesthete, my senses are particularly sensitive and exhausted by an afternoon in this environment.
Remembering my friends Adam Lee and Jason Mejia
“There you go, swimming deeper into Mystery. Here I remain only seeing where you used to be…….Gone from Mystery into Mystery. Gone from daylight into night. Another step deeper into darkness, closer to the light.” Bruce Cockburn
Silk, Cotton, poly ribbon, metallic and cotton thread and floss 24″x36
As a synesthete, if I care to “look” at what I feel, I can draw it. This is what a sore chest felt like. It was all sort of squeezey pressure with points of pain like a very sore throat in the wrong place. The fabric piece is sewn directly on a commercial 12″ square stretched linen canvas. I am quite well now, and all that remains, thankfully, is the artwork.
12″x12″ linen canvas, silk and linen, cotton and metallic thread and floss
This wonderfully complex modern classic is the inspiration for this computer created drawing as I watch the snow fall and, as contrast, I hear the ice balls hit my studio window. Color and texture gestalt of my synesthetic response to the instrumentation of Schnittke ‘s beautiful Symphony #1.
Epson Legacy Platine rag paper, archival inks 8.5″x 11″
Do I made a decision based on the context, but clean and straight in front of me,
or is it colored by all that has gone before?
Epson Legacy Platine rag paper, archival inks 8.5″ x 11″
My reflection on 2016. This is a graphic interpretation of the ways I see time. The rectilinear lines and boxes represent days and months. As part of my synesthesia, this is how time looks. Each row is a month, the days are individual boxes. The circles are the broadly defined significant experiences I have had over the last year, and the ripples are what resonates from those experiences moving into the future. The future is behind these images in the center. I cannot as yet see how things will play out. It is in these colors as I was initially seeing this with my eyes open in a darkened room prior to its creation: a night time echo of my experiences in 2016.