Message from Outer Space (2013)

Hahnemühle Fine Art German Etching Paper 310 gsm, giclée print 9.75”x7.75”
Hahnemühle Fine Art German Etching Paper 310 gsm, giclée print
9.75”x7.75”

Inspiration: Acid Mothers Temple and the Cosmic Inferno. “Message from Outer Space.” 2008. Pink Lady Lemonade – You’re from Outer Space. Riot Season. | Length: 17:59 minutes; Musical Genre: Psychedelic Noise

Powerful repetitive sets of rolling tape loops amidst chaotic, atonal wandering vocal meanderings. I am drawn to the crisp spaces between the sounds.

Travels with Xylvanya (2012)

Cotton, silk, linen, cotton thread and floss, metallic thread and floss 12.5”x11”
Cotton, silk, linen, cotton thread and floss, metallic thread and floss
12.5”x11”

Inspiration: Xylvanya. A series of 56 songs. 1990-2009. Xylvanya. | Musical Genre: Prog Keyboard

Xylvanya’s rolling twining sequences that curl around syncopated, stretched chords always lead me to a richly textured conclusion. This is my 40,000 foot gestalt on the basic structure of all his work, though each piece uses different timbres, pitches and rhythms.

Reflections (2012)

Cotton, polyester, cotton thread
Cotton, polyester, cotton thread    11.5”x11.75”

Inspiration: Max Waves and Pixieguts. “Reflections.” 2010. Music for Microworlds. Elektronische Musik Union. | Length: 5:49; Musical Genre: Chillout Electronica

If I were to score music, it would look like this. Start at the bottom right and move up left and clockwise. (Who needs 5 lines and 4 spaces?) Pixieguts, who sings this poetry, has a wonderfully pink voice over against the electronica frame by Max Waves.

“Do You Want to Dance?” Said Martha Graham to Judith Graff to Geri Heavener (2013)

Silk, cotton, linen, metallic thread and floss, cotton thread and floss 16.75”x18.75”
Silk, cotton, linen, metallic thread and floss, cotton thread and floss
16.75”x18.75”

Inspiration: Aaron Copeland and Martha Graham. “Appalachian Spring.” 1944. | Musical Genre: Mid-century Modern Ballet

This was initially drawn based on a memory of movements from the Graham ballet I had learned to dance in college. I was trying to explain to my husband the difference between the way I was taught to move my body in my ten years of classic ballet as compared with what I learned from my professor who had studied and danced with Martha Graham.

Sound & Sense Responses of a Synesthete