8.5″x11″ Hahnemuhle Fine Art Museum Etching Paper, Archival Inks Giclee
As one who has had polio, and as I have aged, my gate has become bumpy with many pauses. Thus I find myself looking at the small units of the world around me. This is actually pretty cool as I focus on interesting details that I surely missed in the days when I could speed walk.
8.5″x11 Canson Aquarelle Rag, archival inks
I meditate on my own future, these minutes, hours and hopefully years before death, and I try to see what I might yet create. “The future”, as we have often said in my family, “is open”. Unshaped and as yet, unimagined.
As Peter Gabriel said: “I’m waiting for ignition, I’m looking for a spark
Any chance collision and I light up in the dark.
Besides experiencing the art displayed at an opening, I usually spend most of my time chatting with fellow artists. I move between the emotional visual adventure that the art work takes me on, and the hugely satisfying emotional touch and connection within this tribe of old and new friends.
I rarely visit at the many Shopping Malls in Northern New Jersey where I live. The enormous density of humans I encounter, and the predictability of what is available for sale does not appeal to me. I do however, as necessary, take advantage of the value of household and kitchen goods sold at the large box store, Costco. This past weekend I visited the largest of these box stores in the region. The drawing here poetically represents hundreds, or perhaps thousands, of humans I encountered. As a Synesthete, my senses are particularly sensitive and exhausted by an afternoon in this environment.
As a synesthete, if I care to “look” at what I feel, I can draw it. This is what a sore chest felt like. It was all sort of squeezey pressure with points of pain like a very sore throat in the wrong place. The fabric piece is sewn directly on a commercial 12″ square stretched linen canvas. I am quite well now, and all that remains, thankfully, is the artwork.
12″x12″ linen canvas, silk and linen, cotton and metallic thread and floss
If you haven’t heard Linda Everswick’s music, please give a listen. If I must say so myself, her use of my drawing for her cover art has just exactly the right bouncy look for her bouncy aural textures.
Epson Legacy Platine rag paper, archival inks 8.5″x 11″
Do I made a decision based on the context, but clean and straight in front of me,
or is it colored by all that has gone before?