As a synesthete, if I care to “look” at what I feel, I can draw it. This is what a sore chest felt like. It was all sort of squeezey pressure with points of pain like a very sore throat in the wrong place. The fabric piece is sewn directly on a commercial 12″ square stretched linen canvas. I am quite well now, and all that remains, thankfully, is the artwork.
12″x12″ linen canvas, silk and linen, cotton and metallic thread and floss
20″x24″ Linen and cotton on linen, cotton and metallic thread and floss.
I always liked the music in video games better than the games. The sounds are discrete and usually very bouncy. This is a gestalt of many musical experiences with chiptunes.
Silk on linen, metallic thread and floss. 26″x34″.
Using my synesthesia, my hearing to seeing and making art, I created this hand sewn surface design based on live electronics and bass drum. “The Deformation of Figures” was composed by Seth Cluett and performed by percussionist Tim Feeney. This “lowercase” music is an extreme form of ambient music, subtle and rich. The electronics/sine tones, are in color, and the percussion is in black for this one hour performance. I make sketches while listening at a live concert, and re listen to recordings until I am happy with my capture of the “bones” of the music.
Mon oeil l’écoute
Last Saturday I attended a Tristan Perich concert at “The Kitchen” in NYC. His repetitive synth timbres and rhythmic interruptions informed the image I created after viewing the NYC skyline under a bright moon on the way home to NJ. The skyscrapers were surely vying for the sky space.
If you haven’t heard Linda Everswick’s music, please give a listen. If I must say so myself, her use of my drawing for her cover art has just exactly the right bouncy look for her bouncy aural textures.
This wonderfully complex modern classic is the inspiration for this computer created drawing as I watch the snow fall and, as contrast, I hear the ice balls hit my studio window. Color and texture gestalt of my synesthetic response to the instrumentation of Schnittke ‘s beautiful Symphony #1.
Epson Legacy Platine rag paper, archival inks 8.5″x 11″
Do I made a decision based on the context, but clean and straight in front of me,
or is it colored by all that has gone before?
