“Ameriques by Edgard Varese” 34″x40″ sewy based on the work of this French/American composer. His piece “Deserts” was the first avant-garde piece of music I ever fell in love with at age 20 and it changed the trajectory of my musical listening life. “Ameriques” is my synesthetic hand sewn response in silk over linen, with metallic and hemp floss and metallic and cotton thread.
If you want to listen, here it is. https://www.youtube.com/watch?v=Nq8SKwi-ycE — in Mountain Lakes, New Jersey.
Living in the northeast US, I get to truly love autumn! I love the smells, the colors, the cool temperatures and the winds that blow over the hill we live on. I especially the love the sounds of leaves crunching under foot. This piece is based on that sound.
Regarding the black circles, my synesthesia inspired art is always a dance between my mental visual images of sound, and my interior self-talk emotional, or cognitive understanding of what I am experiencing. Perhaps it is because I am a Gemini that I hold these two tensions, or maybe all syns do this. When I make art, I don’t worry that it is a “photo” of exactly what I “see”/hear, but it is usually some variation of the remembered pattern of what that sound looks like. I just take the trip, create and not worry about the outcome. As I reflect, I suspect the black circles reference the cyclical seasons, the oncoming apparent death of flowering plants and trees, and the unknowable “Mystery” of death.
Archival inks, Canson Aquarelle Rag paper 8″x10″
22″x22″ Hand sewn silk on silk with cotton, metallic and chenille floss and thread
This is my emotional/synesthetic response to the Miles Davis favorite, “SO WHAT”.
“Eleta J. Caldwell and Rodney M. Gilbert Memorial Gallery, So What Curated by Jo-El Lopez
Whether inviting to the eye or to the ear, what is the purpose of art if not to evoke? So What, the opening track of Miles Davis’ — and jazz’s most famous — album, Kind of Blue, dares to answer that question. While deceptively simplistic in structure, So What’s sophistication lies within the measured ease of its three soloists. In the case of So What: A Visual Interpretation, curator Jo-El Lopez makes a similar statement about what happens when a group of ten visual artists are given the same piece of music to examine and reimagine? In this exhibition, each artist’s work independently represents a cross section of styles, political platforms, and purpose. And with Lopez’s curatorial approach, as well as Newark’s world-renowned WBGO Jazz 88 Gallery at the helm, the show presents itself as the perfect unification of visual art and interpretation of sound.”
On display October 5th – November 17th, 2018
Aluminum sculpture 10″x21″ November 2017
This is my second effort to capture the patterns I hear in the music by the German Tanz-Metall band Rammstein from the 1997 album Sehnsucht. The song is one of the band’s best known because of its inclusion on the soundtrack of The Matrix . My first effort in Fabric was created in March of 2014.
Raw silk, metallic thread and chenille yarn 14″x34″