
20″x20″x1″ Silk on linen, cotton, hemp thread floss and twine
This morning because I felt the need to be restored to center, I found myself listening to Terry Riley’s “IN C”, and re reading from “Susan McClary “Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture.” in Audio Culture, Daniel Warner, ed, Continuum International Publishing Group, 2004, pp 289 – 298.” (Yes, I guess I am a little geeky when it comes to my reading habits). What struck me, although I am using it out of context, is her phrase “subjective struggle toward triumph”.
Repetition and geometry have helped me “center” (thus avoiding struggle) over my whole lifetime: saying the Rosary, looking carefully at the elegant design of flowers, dancing, taking joy in understanding equations, and being attentive to the comfort I find in the structure of Minimalistic music. The exhaustion from my strong emotional response to the pain and brokenness in society as the sides “struggle toward triumph”, has directed me back to the nurture I find in the cyclic repetition and geometry of the music of Terry Riley.

8.5″x11″ Canson Museum Rag, archival inks


30″x30″ Silk over linen hemp twine and metallic floss, cotton and metallic thread
Although this was created after an afternoon of listening to jazz, ambient and big orchestra classical music, this could be a “Trinity” of whatever you wish.
“The Colors of the 12 String Guitar”
I have four pieces in this show which will be open until February 22, 2020 at the Lake Placid Center for the Arts, 17 Algonquin Drive, Lake Placid, NY 12946.



” 30″x30″ silk on linen with metallic and hemp floss, and cotton and metallic thread.